Nacho Duato

Nacho Duato is a Spanish dancer and choreographer of modern ballet, a style of ballet dance that incorporates various elements of other dance traditions and practices. Born Juan Ignacio Duato Barcia in January 1957, he is the artistic director for ballet at the Mikhailovsky Theater, one of the oldest ballet houses in Russia, after spending 20 years as head of Spains national ballet for the Compania Nacional de Danza. Before he started his dancing career with Stockholms Cullberg Ballet, Duato had studied at Rambert School of London, Maurice Bejart Mudra School in Brussels, and the Alvin Ailey American Dance Theater in New York. From the Nederlands Dans Theater in Holland, where he worked as ballet dancer and choreographer for 10 years, Duatos name rose prominently in the world of ballet and even became synonymous with ballet.

Duatos achievements are mostly choreographic. By choreography, he develops dance routines by joining together several techniques or moves usually set to appropriate music. His choreographies are now part of the most prestigious companies in the world such as the Nederlands Dans Theater, Cullberg Ballet, Australian Ballet, American Ballet Theater, Paris Opera Ballet, Royal Ballet, San Francisco Ballet, Les Grands Ballet Canadiens, and the Stuttgard Ballet. These earned for him prestigious awards and prizes, the latest of which was the Chile Arts Critics Circle prize in 2010, and a nomination to the Golden Mask of Russias Critic Circles highest award for his choreography Na Floresta, also in 2010. Duatos other awards include the 1983 Internationaler Choreographischer Wettherwerb in Koln, Germany, the Gouden Dansprize for dancing skills in 1987, the Grade of Chevalier Dans by the French Embassy in Spain in 1995, a Gold Medal for Merit in the fine arts by the Spanish Council in 1998, the 2000 Prix Benois dela Danse by the International Dance Association at the Stuttgard Opera in Germany, and the Spanish National Dance Award for choreography in 2003.

While Duato was head of Spains national ballet for Compania Nacional de Danza, he developed an internationally known character for ballet, which was unique to the dance. This included his efforts to make his dancers able to communicate intimately with the audience. The style that he has since wanted projected in the dance is a combination of ballet-based stretch and line as the dancers move with the ease of fish darting through the water, or with a dancer smoothly sliding through the partners arms. Many dance critics have agreed that Duatos style is both physically and musically responsive because it flows through quick turns and jumps marked by sudden steps and lifts. In his first full-length choreography of a narrative ballet based on the famous Romeo and Juliet story, each dance step interweaves with each musical note to provide an extremely classical but personal version. He also made the music to tell the story with the narrative ballet.

The famous ballet dancer and choreographer finds his work at the Russian ballet theater challenging as he is in-charge of 130 dancers, four times more than the number of his dancers at the Spanish ballet company.

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